Dr Harry Willis Fleming is a maker of projects that explore topographical, architectural, and spatial themes. He received an MRes (Master of Research) in History from the University of Southampton in 2011, and a PhD in 2017 from Middlesex University. In 2018 he has founded the Bervie Brow Experimental Research Station
at his home in north-east Scotland as a unique live-research setting.
Harry's approach is both academic and creative. As a scholar, he situates himself within the disciplines of cultural history and the history of architecture in its broadest formulation. Harry trained originally as a theatre designer at Wimbledon School of Art and then worked as a design consultant, and the visual and experiential remain central to his practice. His interests lie on the boundaries of art history / art practice with non-artistic aesthetic practices. His work is multifaceted, unconventional, and not always easy to classify. His methods include archival research, writing, visualising, staging, curating, convening, and broadcasting. The outputs of his work in different media often take the form of "archives" and "(re)constructions of places". His projects can be long-term and open-ended.
Harry's recent research focus has been the nineteenth-century artist and tower-dweller Richard Cockle Lucas
(1800-1883), for which he was awarded a Henry Moore Institute Research Fellowship (2012) and a funded doctoral Research Studentship
at Middlesex University (2012-2016).
Harry wrote and presented Vapourtrain
(2009) for BBC Radio 3, exploring how steam railway travel transformed notions of time, space, and place. He was a researcher and contributor to One Way To The Necropolis
(2005) for BBC Radio 4, a feature programme on the Brookwood Necropolis Railway.
He has taught on the 'Advanced Research' module of MA Spatial Cultures and MA Interiors (Architecture and Design) at Middlesex University.
Harry has a strong commitment to the wider public engagement with history and heritage. In 2005, he established the Willis Fleming Historical Trust, with which he has undertaken numerous projects, including the Heritage Lottery-funded restoration of the derelict WW1 Stoneham War Shrine
. He has given many public talks, put together community exhibitions and displays, and created several collaborative online research archives, such as the Swaythling Remount Depot
. He was a steering group member for 'Tudor Revels' (2012)
, a Heritage Lottery-funded exploration of Tudor Southampton; and a project member for 'Spirit of place' (2007), a virtual memorial commissioned by Arts in Healthcare to commemorate the former All Saints Hospital in Eastbourne.
He had an early interest in working with digital media, and was the designer of Lord David Owen's Balkan Odyssey CD-ROM (1997), a multimedia analysis of the breakup of Yugoslavia. As a design consultant, he managed major projects for London Underground, WS Atkins, Railtrack / Rail Safety & Standards Board, Royal Borough of Kensington & Chelsea, and many others.